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19-03-2015, 10:26

Interpreting Visual Evidence

The New German Nation



N order to silence their critics at home and abroad, nationalists in Germany sought to create a vision of German history that made unification the natural outcome of a deep historical process that had begun hundreds of years before. In image A, the family of a cavalry officer prepares to hang a portrait of King William on the wall, next to portraits of Martin Luther, Frederick the Great, and Field Marshal von Blucher, who commanded the Prussian forces at Waterloo. In the lower left corner, two boys roll up a portrait of the defeated French emperor, Napoleon III. The implication, of course, was that the unification of Germany was the inevitable culmination of generations of German heroes who all worked toward the same goal.



This unity was itself controversial among German people. Image B, a pro-Bismarck cartoon, shows the German minister-president dragging the unwilling liberal members of the Prussian parliament along with him as he pulls a triumphal chariot toward his military confrontation with Austria in 1866. The caption reads: "And in this sense, too, we are in agreement with Count Bismarck,



And we have pulled the same rope as him." Image C, on the other hand, expresses reservations about Prussian dominance in the new empire. The title "Germany's Future" and the caption:


Interpreting Visual Evidence

A. Homage to Kaiser Wilhelm I by Paul Burde, 1871.



States that had not already been absorbed into the Prussian fold, except Austria, declared their allegiance to William I, henceforth emperor or kaiser. Four months later, at Frankfurt, a treaty between the French and the Germans ceded the border region of Alsace to the new German Empire and forced the French to pay an indemnity of 5 billion francs. Prussia accounted for 60 percent of the new state’s territory and population. The Prussian kaiser, prime minister, army, and most of the bureaucracy remained intact, now reconfigured as the German nation-state. This was not the new nation for which Prussian liberals had hoped. It marked a “revolution from above” rather than from below. Still, the more optimistic believed that the German Empire would evolve in a different political direction and that they could eventually “extend freedom through unity.”



The State and Nationality: Centrifugal Forces in the Austrian Empire



Germany emerged from the 1860s a stronger, unified nation. The Habsburg Empire faced a very different situation, with different resources, and emerged a weakened,


Interpreting Visual Evidence

B. Prussian liberals and Bismarck after Kdniggratz (1866).



Interpreting Visual Evidence

"Will it fit under one hat? I think it will only fit under a [Prussian] Pickelhaube." The Pickelhaube—the characteristic pointed helmet of the Prussian army— had already become a much-feared symbol of Prussian military force. Such an image may well have struck a chord with residents of the non-Prussian German states who now paid taxes to the Prussian monarchy and served in an army dominated by Prussian officers.



Questions for Analysis



1.  What is the significance of the familial setting in image A? Why was it important for nationalists to emphasize a multigenerational family as the repository of German national spirit?



2.  How do images B and C treat the question of Prussia's role within the new German nation? Was German national identity seen as something



Built from below or defined from above by a strong monarchy?



3. What is the place of the individual citizen in these representations of the German nation?



Interpreting Visual Evidence

C. "Germany's Future" (1870).



Precariously balanced, multiethnic dual monarchy, also called Austria-Hungary.



As we have seen, ethnic nationalism was a powerful force in the Habsburg monarchy in 1848. Yet the Habsburg state, with a combination of military repression and tactics that divided its enemies, had proved more powerful. It abolished serfdom but made few other concessions to its opponents. The Hungarians, who had nearly won independence in the spring of 1848, were essentially reconquered. Administrative reforms created a new and more uniform legal system, rationalized taxation, and imposed a singlelanguage policy that favored German. The issue of managing ethnic relations, however, only grew more difficult. Through the 1850s and 1860s, the subject nationalities, as they were often called, bitterly protested the powerlessness of their local diets, military repression, and cultural disenfranchisement. The Czechs in Bohemia, for instance, grew increasingly alienated by policies that favored the German minority of the province. In response, they became more insistent on their Slavic identity—a movement welcomed by Russia, which became the sponsor of a broad pan-Slavism. The Hungarians, or Magyars, the most powerful of the subject nationalities, sought to reclaim the autonomy they had glimpsed in 1848.


Interpreting Visual Evidence

TOWARD THE UNIFICATION OF GERMANY. Note the many elements that made up a unified Germany and the stages that brought them together. ¦ Did this new nation have any resemblance to the unified Germany envisioned by the liberal revolutionaries of the Frankfurt Preparliament in 1848? (See page 697.) ¦ How many stages were involved in the unification of Germany, and how many years did it take?



¦ What region filled with German-speaking peoples was not included in the new unified Germany and why?



In this context, Austria’s defeats at the hands of Piedmont-Sardinia in 1859 and Prussia in 1866 became especially significant. The 1866 war forced the emperor Franz Josef to renegotiate the very structure of the empire. To stave off a revolution by the Hungarians, Francis Joseph agreed to a new federal structure in the form of the Dual Monarchy. Austria-Hungary had a common system of taxa-



Tion, a common army, and made foreign and military policy together. Francis Joseph was emperor of Austria and king of Hungary. But internal and constitutional affairs were separated. The Ausgleich, or Settlement, allowed the Hungarians to establish their own constitution; their own legislature; and their own capital, combining the cities of Buda and Pest.



What of the other nationalities? The official policy of the Dual Monarchy stated that they were not to be discriminated against and that they could use their own languages. Official policy was only loosely enforced. More important, elevating the Hungarians and conferring on them alone the benefits of political nationhood could only worsen relations with other groups. On the Austrian side of the Dual Monarchy, minority nationalities such as the Poles, Czechs, and Slovenes resented their second-class status. On the Hungarian side, the regime embarked on a project of Magyarization, attempting to make the state, the civil service, and the schools more thoroughly Hungarian—an effort that did not sit well with Serbs and Croats.



In spite of these divisions, however, the Austro-Hungarian Empire succeeded for a time in creating a different kind of political and culture space within a Europe that was increasingly given over to nation-states who perceived their interests to be irrevocably opposed. The Austrian capital of Vienna developed a reputation for intellectual and cultural refinement that was in part a product of the many different peoples who made up the Habsburg lands, including Germans, Jews, Hungarians, Italians, Czechs, Poles, Serbs, Croats, and Balkan Muslims from lands that formerly belonged to the Ottoman Empire. This polyglot culture produced Bela Bartok (1881-1945), the great Hungarian composer and admirer of folk musical traditions; Gustav Mahler (1860-1911), a German-Austrian composer whose romantic symphonies and conducting prowess made him a global celebrity by the time of his death. From the same intellectual milieu came Sigmund Freud (1856-1939), a German-speaking Jewish doctor from Vienna whose writings helped shape modern psychology; and Gustav Klimt (1862-1918), a painter and founding member of the Viennese Secession movement, which rejected the reigning classicism of the Austrian art world and made the Austrian capital an important center for the birth of modern art.



The Austrian emperor’s deep opposition to nationalism was not just geopolitical, therefore, but also a defense of a different relationship between the nation-state and culture. Unlike the governments of France, England, Italy, or Germany, the Habsburgs did not seek to build a nation-state based on a common cultural identity. It tried instead to build a state and administrative structure strong enough to keep the pieces from spinning off, at times playing different minorities off against each other, but also conceding greater autonomy to different groups when it seemed necessary. As the nineteenth century unfolded, however, discontented subject nationalities would appeal to other powers—Serbia, Russia, the Ottomans—and this balancing act would become more difficult.



NATION AND STATE BUILDING IN RUSSIA AND THE UNITED STATES



The challenges of nationalism and nation building also occupied Russia, the United States, and Canada. In all three countries, nation building entailed territorial and economic expansion, the incorporation of new peoples, and—in Russia and the United States—contending with the enormous problems of slavery and serfdom.



Territory, the State, and Serfdom: Russia



Serfdom in Russia, which had been legally formalized in 1649, had begun to draw significant protest from the intelligentsia under the reign of Catherine the Great (r. 1762-96). After 1789, and especially after 1848, the abolition of serfdom elsewhere in Europe made the issue more urgent. Abolishing serfdom became part of the larger project of building Russia as a modern nation. How that should happen was the subject of much debate. Two schools of thought emerged. The “Slavophiles,” or Romantic nationalists, sought to preserve Russia’s distinctive features. They idealized traditional Russian culture and the peasant commune, rejecting Western secularism, urban commercialism, and bourgeois culture. In contrast, the “westernizers” wished to see Russia adopt European developments in science, technology, and education, which they believed to be the foundation for Western liberalism and the protection of individual rights. Both groups agreed that serfdom must be abolished. The Russian nobility, however, tenaciously opposed emancipation. Tangled debates about how lords would be compensated for the loss of “their” serfs, and how emancipated serfs would survive without full-scale land redistribution, also checked progress on the issue. The Crimean War (see below) broke the impasse. In its aftermath, Alexander II (r. 1855-81) forced the issue. Worried that the persistence of serfdom had sapped Russian strength and contributed to its defeat in the war, and persuaded that serfdom would only continue to prompt violent conflict, he ended serfdom by decree in 1861.



The emancipation decree of 1861 was a reform of massive scope, but paradoxically it produced limited change. It granted legal rights to some 22 million serfs and authorized their title to a portion of the land they had worked. It also required the state to compensate landowners for the properties they relinquished. Large-scale landowners vastly inflated their compensation claims, however, and



 

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